Create a world from music, photography, film, DJ culture, beats, instruments, art, fashion or any combination of them. IntoWorlds is a place where creative work becomes an environment people can actually enter.
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A music world built around two opposing emotional perspectives. SIDES is the format: the visitor moves between love and loyalty on one side, anger and revenge on the other. The artwork, playback behaviour and visual reactions form part of the experience rather than sitting beside it as ordinary social-media content.
Stream / Save the dual release ↗Master: Abbey Road Studios.
Stereo master: 24-bit / 44.1 kHz WAV master for distribution.
IntoWorlds stream: Abbey Road mastered 320 kbps / 44.1 kHz stereo MP3.
Bonnie & Clyde is a story of love, loss and reconciliation, exploring how affection can become either a source of strength or a cause of hurt depending on how it is expressed and received. The track gives both the male and female perspectives space to be heard, treating their emotions, frustrations and needs as equally important. Rather than presenting one side as simply right or wrong, it follows the consequences of attachment, misunderstanding and separation from both angles before the two perspectives eventually come back together at the end.
INTRO — phone call (female vocal) when you guna coming home i miss you i need you here 12 i wanna be with you be with you solo why is that so hard where ever that we go why did you let me go though why did you keep me going for so long why am i looking at myself why am i so wrong so this is where i put it in a song write down all my feelings and you point out whats wrong now tell me what did i do now this time i bet you even got the words to finish this rhyme im sorry i cant be exactly who you want me to be im sorry i cant be the person you need you need somone to talk down to slaughter to lamb to i thought i was the person you were around to i wanna be with you be with you solo why is that so hard where ever we go why did you let me go though why did you keep me going for so long why am i looking at myself am i so wrong 107 hook V2 i feel that this is all setting a trap you know me by now an you know im coming back an you know im running to ya you know i dont wanna loose ya so quit with that attitude coz you know it suit ya me and you bonnie and clyde take over the world we guna go do that do that in one twirl while were dancing to the song you play all the time with the beat n melody hook and rhyme see what i got when you put it on lock when you know it needs to stop when you know its a knock when i send this message to ya words just go through ya now your ignoring me theres a twist to the story i wanna be with you be with you solo why is that so hard where ever we go why did you let me go though why did you keep me going for so long why am i looking at myself why am i so wrong 226 hook OUTRO see what i got when you put it on lock when you know it needs to stop when you know its a knock
Artist: Apache Cooper
Mastering: Abbey Road Studios
Producers: Apache Cooper · Antun Vuić
Songwriter: Apache Cooper
Master: Abbey Road Studios.
Stereo master: 24-bit / 44.1 kHz WAV master for distribution.
IntoWorlds stream: Abbey Road mastered 320 kbps / 44.1 kHz stereo MP3.
Not added yet. The full creator story for Side B still needs to be written.
azilia banks ugly little runt i sware i said this yh go run to her mum shes so fuking ugly inside dont toutch me bitch this is a dis track i dont want you to love me my tempers is flaring its deamons your daring how the fuck can you say that shit in the mirror your staring i sware to god with my bad mental health you pick on the mentally ill you pick on me aswell V1 Look at ya teeth azelia Googly eyed bugs bunnied freezer cup I just dunno what that guy sees in ya He must be just tryna please him self Coz even hell with help wouldnt wanna be pleasing ya I see the banks in this world azilia She's the jo 90 of these girls and see needs help Fuk it ill set up a go fund me page and appeal to this world Peeps shes so ugly her souls trapped in a doom buggy Its about to fall off a grand canyon cliff shes tryna hug me She needs a fuk ton of money Not to go spend just so she falls off in more of a hurry The weight ahh wait It would be a profit to these men Plz god Don't let her love me Because i don't want to pre tend Suppose I should be writing this shit in pretense So I write this shit and I address it to these men So I send off a bottle with a note n heres what it wrote This is how i put it this is how i made it go i tell you though my lenz just so you get a inklin And you know exactly how it is im thinking Azilia banks im sorry you had to go But your the sorta person even the devil wouldn't wanna know I give thanks to the lord God jesus Christ I didn't cum up one of these skanks in one of my nights out V2 Fuk rhianna Give this fuking bitch to Chris brown to black up both of her eyes on a night out chris you got my permission to ride out fukit ill give you a wearhouse you can both hide out and ill tell the tax man its hired out and i dont know what you mean officer when the fires out well my roll model told me if your next to a fire holding a petrol can and lighter the case starts crumbing and folding like the evidence in a fire or maybe that was 50 fukit i dont know what im saying maybe i should get out of here fuk shit swifty hi my names tayler im a ai fuk bot and your experience is taylered to give you exactly what you want ahh fuk im dreaming this has gone way beyond a song all this evidnce is interlayered in its meaning and that means somethings wrong forget what i said im steeming well i do actully mean it but tomorrow i might regret i had ever steamed it so fuk this im gone and if anyone ever says reece put this in a song id say fuk you bitch and your all fuking wrong V3 wernt me yh it was it was me entirly bitch you lit the fire in me this aint even who im tryna be you broke the peace you gone fukin kicked the beast be nice or ill stick you in a room with 5 guys and i aint talking about a date where i say you got nice eyes checking ya size 5s coz ill go fucking ill and ill tell you how i feel the guys got special needs and you run a fucking field but ya gota run though me coz if thats how you feel coz i aint fukin having it and i really fucking will go fucking sick ill blackball you bitch you wont be welcom in england if thats how you pitch guy goes blind you say hes ugly online n i gave you this line now bitch dont waste my time
Artist: Apache Cooper
Mastering: Abbey Road Studios
Producers: Apache Cooper · MTC Beatz
Songwriting credits: Not added yet.
A creator decides what belongs inside it. The audience steps into the result.
A world can be one song or an entire universe. It can combine sound, image, motion, writing, fashion, performance, location and interaction. The creator chooses the rules.
For a creator to create and a visitor to enter.
Paired perspectives; segmented albums and collections; continuous DJ/performance journeys; and live or recorded collaborative sessions.
Music, videography, photography, film, art, fashion, beats, instruments and whatever comes next.
Create privately, publish when ready, then optionally apply for one of the limited paid Featured placements.
A WORLD is the container. Formats are the ways creators shape what happens inside it.
01 · SIDESA/B creative experiences. Two works, two moods, one release.
Music · Visuals
02 · DISKInteractive albums and bodies of work built as complete worlds.
Albums · Collections
03 · SETSDJ mixes, live sets, track journeys and performance worlds.
DJs · Live
04 · SESSIONSMusicians, instruments and collaborations presented in motion.
Performance · CollabOne platform, many creative disciplines.
ARTISTSSingles, SIDES, albums, demos and visual music experiences.
MusicDJsSets sorted by BPM, genre, energy, location and atmosphere.
SETS
BEATSDiscover beats by BPM, key, genre, vibe and licensing type.
BEATS
PHOTOSeries, portfolios, editorial worlds and commissioned work.
ImagesSuggest improvements, vote on popular topics and help the admin panel decide what should be reviewed for future updates.
Search by what the work feels and sounds like — not only by who made it.
APACHE COOPERAPACHE COOPERGenre remains useful — it just isn't the only doorway.
Rap, alternative hip-hop, drill, trap and experimental edges.
Contemporary, soul-led, alternative and electronic R&B.
House, garage, techno, club, electronic and DJ culture.
Work that refuses to fit neatly inside one genre label.
IntoWorlds is built around the work — across disciplines.
Music creator building immersive worlds from tracks, concepts and contrasting emotional sides. This profile is connected to the featured SIDES release and gives visitors a creator-first destination inside IntoWorlds.
Find people by what they make, how they work and what you need.
Visual creators can build worlds around portfolios, projects and collaborations.
Start with a professional structure, then make the world yours. Templates define useful fields and controls — not the creator's style.
Template: Side A + Side B. Each side can carry its own artwork, audio, video, writing, links and credits. The pair can oppose each other, complement each other or simply show two connected versions of one idea.
Template: a tactile 3D disc split into 1–11 wedges. Every wedge is its own media section and can contain audio, video, artwork, notes, credits and links. Spin the disc, select a wedge, then open that section in the media bay or full player.
Template: full mix, set list, BPM/key per section, cue/transition notes, gear, venue/event, downloadable tracklist, timestamps, bookings and rights notes.
Template: beat preview, BPM, key, genre, mood, producer tag, lease/exclusive options, stems status, credits, collaboration requests and usage terms.
Template: hero series, gallery, captions, project story, camera/lens/EXIF (optional), location privacy controls, usage/licensing, print availability and hire enquiry.
Template: showreel, featured projects, vertical/horizontal cuts, role/crew, camera format, client/artist, shot list, behind-the-scenes, availability and call sheet links.
Template: master artwork, audio, lyrics/notes, credits, BPM/key optional, release links, collaborators, video, reactions, comments and Library save.
Template: before/after examples, production credits, genres, services, studio setup, rates/availability, file-delivery requirements and collaboration request.
Template: instruments, performance clips, styles, reading/improv skills, remote-session setup, availability, turnaround and downloadable stems/examples.
Template: trailer/film, synopsis, cast/crew, stills, credits, festival status, production notes, behind-the-scenes and collaboration/casting calls.
Template: collection/gallery, piece details, materials, sizes, edition/stock, process, collaborators, purchase/enquiry and lookbook/video.
The template supplies the interaction system. Every title, image, recording, video and rule belongs to the creator using it.
Use the interaction idea behind SIDES without copying Apache Cooper’s content. Add your own Side A and Side B artwork, audio/video, titles and story.
Spin, select and expand a slice into its own track, video, scene or chapter. Information lives beside the DISK, never over it.
Show availability, rates, location, skills and collaboration requests.
Liked worlds, saved releases, followed creators and purchases.
The creative work you want to return to.
0 savedCreators whose next world you don't want to miss.
0 creatorsTracks, releases, editions and licensed work.
0 itemsRecently visited worlds and listening history.
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Choose the creative ingredients. A world can use one medium or mix several together. Formats such as SIDES, DISK, SETS and SESSIONS live inside the world.
