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Artist: Apache Cooper
Mix: Apache Cooper
Producer: Apache Cooper
Producer: Antun Vuić
Songwriter: Apache Cooper
Mastering: Abbey Road Studios
Theme: Love, loss, reconciliation and the consequences of affection from both sides of a relationship.
Stereo master: 24-bit / 44.1 kHz WAV master for distribution.
IntoWorlds stream: Abbey Road mastered 320 kbps / 44.1 kHz stereo MP3.
Bonnie & Clyde is a story of love, loss and reconciliation. It explores how affection can become a source of strength or a source of hurt depending on how it is communicated, understood and returned. The track gives both the male and female perspectives space to matter: neither side is treated as having a monopoly on the truth, and both sets of feelings are allowed to exist. Across the song, attachment, frustration, misunderstanding and separation pull the relationship apart before the two perspectives eventually find their way back toward one another. The result is less about deciding who was right and more about what two people can gain, lose and learn when love affects them in different ways.
INTRO — phone call (female vocal) when you guna coming home i miss you i need you here 12 i wanna be with you be with you solo why is that so hard where ever that we go why did you let me go though why did you keep me going for so long why am i looking at myself why am i so wrong so this is where i put it in a song write down all my feelings and you point out whats wrong now tell me what did i do now this time i bet you even got the words to finish this rhyme im sorry i cant be exactly who you want me to be im sorry i cant be the person you need you need somone to talk down to slaughter to lamb to i thought i was the person you were around to i wanna be with you be with you solo why is that so hard where ever we go why did you let me go though why did you keep me going for so long why am i looking at myself am i so wrong 107 hook V2 i feel that this is all setting a trap you know me by now an you know im coming back an you know im running to ya you know i dont wanna loose ya so quit with that attitude coz you know it suit ya me and you bonnie and clyde take over the world we guna go do that do that in one twirl while were dancing to the song you play all the time with the beat n melody hook and rhyme see what i got when you put it on lock when you know it needs to stop when you know its a knock when i send this message to ya words just go through ya now your ignoring me theres a twist to the story i wanna be with you be with you solo why is that so hard where ever we go why did you let me go though why did you keep me going for so long why am i looking at myself why am i so wrong 226 hook OUTRO see what i got when you put it on lock when you know it needs to stop when you know its a knock
Artist: Apache Cooper
Mix: Apache Cooper
Producers: Apache Cooper · Antun Vuić
Songwriter: Apache Cooper
Mastering: Abbey Road Studios
Artist: Apache Cooper
Mix: Apache Cooper
Producer: Apache Cooper
Producer: MTC Beatz
Mastering: Abbey Road Studios
Theme: Anger, empathy for a victim, public cruelty and an emotional response through music.
Stereo master: 24-bit / 44.1 kHz WAV master for distribution.
IntoWorlds stream: Abbey Road mastered 320 kbps / 44.1 kHz stereo MP3.
Azealia Banks is an angry response to the treatment of Stephen Ogilvie after a life-changing knife attack in the Kinnaird Avenue area of north Belfast in June 2026. Public reporting and court proceedings said Ogilvie lost sight in his left eye and suffered deep cuts to his head, face and back. Hadi Alodid, 30, has been charged with attempted murder, possession of a knife in a public place and threats to kill an NHS radiographer; those charges remain allegations unless and until determined by a court.
After the attack, Azealia Banks was widely reported to have mocked Ogilvie’s appearance in a since-deleted social-media post and to have said the man accused of attacking him had “done him a favor.” The track is Apache Cooper’s emotional reaction to seeing a seriously injured victim publicly ridiculed after such trauma. Its anger is directed at the cruelty of mocking somebody’s appearance and suffering. It is presented as artistic commentary, not as a call for violence, harassment or retaliation.
The purpose of this context is to put Stephen Ogilvie — the victim and his recovery — back at the centre of the story. His family later reported that he had left intensive care, and by 19 August 2026 they said he was preparing to leave hospital for rehabilitation. IntoWorlds sends support to Stephen and his family as he enters that next stage. God bless Stephen, and strength to him in the work ahead. His family have also asked that what happened to him should not be used to divide people or fuel hostility.
Support Stephen Ogilvie’s fundraiser ↗azilia banks ugly little runt i sware i said this yh go run to her mum shes so fuking ugly inside dont toutch me bitch this is a dis track i dont want you to love me my tempers is flaring its deamons your daring how the fuck can you say that shit in the mirror your staring i sware to god with my bad mental health you pick on the mentally ill you pick on me aswell V1 Look at ya teeth azelia Googly eyed bugs bunnied freezer cup I just dunno what that guy sees in ya He must be just tryna please him self Coz even hell with help wouldnt wanna be pleasing ya I see the banks in this world azilia She's the jo 90 of these girls and see needs help Fuk it ill set up a go fund me page and appeal to this world Peeps shes so ugly her souls trapped in a doom buggy Its about to fall off a grand canyon cliff shes tryna hug me She needs a fuk ton of money Not to go spend just so she falls off in more of a hurry The weight ahh wait It would be a profit to these men Plz god Don't let her love me Because i don't want to pre tend Suppose I should be writing this shit in pretense So I write this shit and I address it to these men So I send off a bottle with a note n heres what it wrote This is how i put it this is how i made it go i tell you though my lenz just so you get a inklin And you know exactly how it is im thinking Azilia banks im sorry you had to go But your the sorta person even the devil wouldn't wanna know I give thanks to the lord God jesus Christ I didn't cum up one of these skanks in one of my nights out V2 Fuk rhianna Give this fuking bitch to Chris brown to black up both of her eyes on a night out chris you got my permission to ride out fukit ill give you a wearhouse you can both hide out and ill tell the tax man its hired out and i dont know what you mean officer when the fires out well my roll model told me if your next to a fire holding a petrol can and lighter the case starts crumbing and folding like the evidence in a fire or maybe that was 50 fukit i dont know what im saying maybe i should get out of here fuk shit swifty hi my names tayler im a ai fuk bot and your experience is taylered to give you exactly what you want ahh fuk im dreaming this has gone way beyond a song all this evidnce is interlayered in its meaning and that means somethings wrong forget what i said im steeming well i do actully mean it but tomorrow i might regret i had ever steamed it so fuk this im gone and if anyone ever says reece put this in a song id say fuk you bitch and your all fuking wrong V3 wernt me yh it was it was me entirly bitch you lit the fire in me this aint even who im tryna be you broke the peace you gone fukin kicked the beast be nice or ill stick you in a room with 5 guys and i aint talking about a date where i say you got nice eyes checking ya size 5s coz ill go fucking ill and ill tell you how i feel the guys got special needs and you run a fucking field but ya gota run though me coz if thats how you feel coz i aint fukin having it and i really fucking will go fucking sick ill blackball you bitch you wont be welcom in england if thats how you pitch guy goes blind you say hes ugly online n i gave you this line now bitch dont waste my time
Artist: Apache Cooper
Mix: Apache Cooper
Producers: Apache Cooper · MTC Beatz
Songwriter / publishing split: Not confirmed in the player yet — must match the signed agreement and registrations.
Mastering: Abbey Road Studios